Tourism and Musical Imaginaries

 

organized by EIREST, Paris 1 Panthéon-Sorbonne-Pantheon, TSWG, University of California at Berkeley and the Geography Dept. of the University of Geneva

24-26 March 2022

Department of Music, University of California at Berkeley

Followed by a Napa Valley Wine Tour on March 27th

 

Submission Procedure

Please send abstracts (approx. 500 words) and a one-page CV to Maria Gravari-Barbas (This email address is being protected from spambots. You need JavaScript enabled to view it.), Nelson Graburn (This email address is being protected from spambots. You need JavaScript enabled to view it.), Jocelyne Guilbault (This email address is being protected from spambots. You need JavaScript enabled to view it.) and Jean-François Staszak (This email address is being protected from spambots. You need JavaScript enabled to view it.)

by November 30th, 2021. We will notify contributors of acceptance by December 20th, 2021.

 

Themes

The following themes do not mean to be exhaustive. They aim at orienting the papers submission.

- Music and tourist imagination

- Tourism and music events/festivals

- Tourism visits in “music meccas” (Memphis, Liverpool, Ibiza, Tobago…).

- Tourism in music dedicated museums, heritage sites, birth/death/home places of artists, composers or iconic personages.

- Dance related tourism practices (tango, flamenco, samba…)

- Tourism and local music cultures

- Tourism and local agency

- Tourism and the Economics of Culture

- Music induced tourism

- Touristic songs and musics

- Tourism, dancing bodies, and identity imaginaries

- Tourism and Climate Change

- Tourist imaginaries and films,

- Tourism and sound environment

- Music performed for/by tourists

- Music, soundscape and tourism

- Tourist gaze vs. music

- Music and tourist’s memories

- Music, tourism, and political economy

- Music, tourism, and sound technologies

- Music, employment and tourism

- Music, tourism, and globalization

- Music, tourism, and UNESCO